The Andrews Sisters

“America’s most popular female singing group.”

When the sisters burst upon the music scene in the late 1930s, they shook a very solid musical foundation, producing a slick harmonic blend by singing at the top of their lungs while trying—successfully—to emulate the blare of three harmonizing trumpets, with a full big band racing behind them. 

Some bandleaders of the day, such as Artie Shaw, along with his musicians, resented them for taking the focus away from the band and emphasizing the vocals instead. They were in as high demand as the big bandleaders themselves, many of whom did not want to share the spotlight and play backup to a girl trio. Nevertheless, they found instant appeal with teenagers and young adults who were engrossed in the swing and jazz idioms, especially when they performed with nearly all of the major big bands, including those led by Glenn Miller, Benny Goodman, Buddy Rich, Tommy Dorsey, Jimmy Dorsey, Gene Krupa, Joe Venuti, Freddie Slack, Eddie Heywood, Bob Crosby (Bing’s brother), Desi Arnaz, Guy Lombardo, Les Brown, Bunny Berigan, Xavier Cugat, Paul Whiteman, Ted Lewis, Nelson Riddle and mood-master Gordon Jenkins, whose orchestra and chorus accompanied them on such successful soft and melancholy renditions as “I Can Dream, Can’t I?” (which shot to number one on Billboard and remained in the Top 10 for 25 weeks), “I Wanna Be Loved”, “There Will Never Be Another You”, and the inspirational “The Three Bells”, which was an English version of the French 1946 rendition by Édith Piaf & Les Compagnons de la chanson; along with several solo recordings with Patty, including a cover version of Nat King Cole’s “Too Young”, “It Never Entered My Mind”, “If You Go” and “That’s How A Love Song Is Born”. “Boogie Woogie Bugle Boy” can be considered an early recording of rhythm and blues or jump blues.